Seventy days that changed painting
Van Gogh arrived in Auvers-sur-Oise in May 1890, fresh from the asylum at Saint-Rémy, drawn by the presence of Doctor Paul Gachet — an eccentric physician, amateur engraver and friend of the Impressionists who agreed to keep an eye on him. What followed was the most concentrated burst of creativity in Western art: more than seventy paintings in seventy days, among them The Church at Auvers, Wheatfield with Crows, Daubigny's Garden and the melancholy Portrait of Doctor Gachet. He died in his attic room at the Auberge Ravoux on 29 July 1890, with Theo at his bedside.
What makes Auvers so affecting is how little has changed. The village was a painters' colony long before Vincent — Daubigny settled here, Cézanne and Pissarro worked in these lanes — and it has kept its low stone walls, thatched roofs and open plateau of wheat. Discreet panels reproduce each canvas at the very spot where it was painted, so you can hold the painting up against its motif, 135 years apart. It is a short visit, but few of our guests leave unmoved.
What did Van Gogh paint in Auvers-sur-Oise?
In seventy days he produced more than seventy canvases, including The Church at Auvers, Wheatfield with Crows, the Portrait of Doctor Gachet and Daubigny's Garden. Panels around the village mark the exact spots where he set up his easel.
Where are Vincent and Theo van Gogh buried?
In the small village cemetery just above the church, on the edge of the wheat fields. The two brothers lie side by side under a blanket of ivy, said to have come from Doctor Gachet's garden. Entry is free and the walk from the church takes about five minutes.
Can you combine Auvers-sur-Oise with Giverny in one day?
Absolutely — it is one of our favourite full days: Van Gogh's village in the morning, Monet's gardens in the afternoon, about an hour's drive apart through the Vexin countryside. We price the combined day on request, based on your dates and vehicle.